The Myth and its Maker: Laurie Steer | The Pantograph Punch

"Being an artist has always been Laurie Steer’s job, but only recently has he been able to make it look that way on a balance sheet or a bank statement. By stepping away from certain conventions of the art world, Steer has been able to operate outside of them – though not without caution or criticism. Through his ceramic practice and the performance of The Best Potter in the World (#thebestpotterintheworld), Steer interrogates ideas of power, value and myth."

 

Read the full article by Orissa Keane on pantograph-punch.com

9 Oct 2020